maria rosaria corvino

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Argument

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Arguments

Adverts

Anecdotes

Body language

Censorship

Childhood

Cinema as novelty

Cinema as sharing emotions

Cinema theatre names

Contact with film industry

Director

Education and culture

Etiquette and cinema

Experience of the venue

Faulty

Film Titles

Financial choice

Gender or class talk

Imitating stars and characters

Individual

Journey to the cinema

Molestation

Non-cinematic events

Other people's choice

Past and present

Performance and characters

Physical appearance

Plot

Programming choice

Reflection of contemporary reality

Social aspect of cinema

The rituals of cinema

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