maria de palma

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Argument

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Arguments

Acting skills

Anecdotes

Anti-identification

Beauty contests

Censorship

Cinema run

Cinema theatre names

Contact with film industry

Education and culture

Escapism

Etiquette and cinema

Experience of the venue

Gender or class talk

Genre preference

Identification

Imitating stars and characters

Individual

Journey to the cinema

Meta-interview discourse

Metacinematic

Multiple viewings

Non-cinematic events

Other nationalities

Past and present

Performance and characters

Physical appearance

Plot

Programming choice

Reflection of contemporary reality

Roles played

Scenes

Social aspect of cinema

The rituals of cinema

Titles

Topographical memory

Verbal delivery