marcella taiti

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Argument

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Arguments

Body language

Censorship

Cinema as sharing emotions

Cinema run

Cinema theatre names

Director

Education and culture

Escapism

Etiquette and cinema

Experience of the venue

Family

Faulty

Gender or class talk

Genre preference

Idiosyncratic film history

Imitating stars and characters

Journey to the cinema

Multiple viewings

Non-cinematic events

Past and present

Physical appearance

Programming choice

Reflection of contemporary reality

Roles played

Scenes

Social aspect of cinema

Technical aspects

The rituals of cinema

Titles

Topographical memory

Verbal delivery