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Argument

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Arguments

Censorship

Childhood

Cinema as novelty

Cinema as reward

Cinema run

Contact with film industry

Education and culture

Etiquette and cinema

Experience of the venue

Film industry

Gender or class talk

Genre preference

Identification

Idiosyncratic film history

Imitating stars and characters

Lack of choice

Location choice

Metacinematic

Non-cinematic events

Other people's choice

Own choice

Past and present

Plot

Programming choice

Reflection of contemporary reality

Social aspect of cinema

Technical aspects

The rituals of cinema

Titles

TV

Verbal delivery