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Argument

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Arguments

Anti-identification

Aspiration

Beauty contests

Cinema as sharing emotions

Cinema run

Cinema theatre names

Contact with film industry

Director

Education and culture

Etiquette and cinema

Experience of the venue

Fantasy and dreaming

Faulty

Financial choice

Gender or class talk

Genre preference

Identification

Imitating stars and characters

Individual

Journey to the cinema

Location choice

Metacinematic

Official

Other people's choice

Own choice

Past and present

Performance and characters

Physical appearance

Plot

Programming choice

Reflection of contemporary reality

Roles played

Scenes

Social aspect of cinema

Titles

Topographical memory