rosa mandalà

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Argument

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Arguments

Acting skills

Body language

Censorship

Childhood

Cinema run

Cinema theatre names

Director

Education and culture

Escapism

Experience of the venue

Faulty

Gender or class talk

Genre preference

Identification

Idiosyncratic film history

Journey to the cinema

Location choice

Molestation

Non-cinematic events

Official

Other nationalities

Other people's choice

Own choice

Past and present

Performance and characters

Programming choice

Reflection of contemporary reality

Roles played

Scenes

Social aspect of cinema

Technical aspects

The rituals of cinema

Titles

Topographical memory

TV

Type of language

Verbal delivery